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Mystery
2020
Director Nicolas Pesce
description After a young housewife murders her family in her own house, a single mother and young detective tries to investigate and solve the case. Later, she discovers the house is cursed by a vengeful ghost that dooms those who enter it with a violent death. Now, she runs to save herself and her son from demonic spirits from the cursed house in her neighborhood
Runtime 1Hour, 34 min
Liked It 5946 vote
The Grudge Free movie. When Crippling depression, debt, and stress creep into your dreams. lmao.

 

The reason he said tempura, sushi, sashimiiiiii and then faded away was because he got salmonella and died. I was so terrified when I first watch this as a kid. Films Bioscopen Events Pathé All Stars Pathé All Stars is het beloningsprogramma van Pathé waarmee je gemakkelijk kunt sparen voor korting en leuke extra's! Bekijk waarvoor je jouw Stars kunt inwisselen. Als Pathé All Stars member kun jij aanwezig zijn bij de meest gewilde premières en rode loper events bij Pathé! Pathé Unlimited PATHÉ UNLIMITED Met Pathé Unlimited kun je onbeperkt naar de film bij alle Pathé bioscopen in Nederland! Met meer dan één keer per maand heb je het er al uit! GOLD Echte filmfreaks kiezen voor Pathé Unlimited Gold! Onbeperkt naar de film, geen toeslagen voor 4DX, Dolby Cinema en IMAX en leuke extra's! Pathé Unlimited Night is een exclusieve en feestelijke avond, speciaal voor alle abonnees. Mijn Pathé Maak een Mijn Pathé account aan om makkelijk tickets te kunnen kopen, je favorieten te kunnen opslaan en ook op je mobiel toegang te kunnen hebben tot je tickets. Release: 9-01-2020 Regisseur Nicolas Pesce (The Eyes of my Mother) en producent Sam Raimi (Don't Breathe, Crawl, Evil Dead) geven met de bloedstollende film The Grudge een geheel nieuwe draai aan de horrorklassieker. Koop nu je tickets voor The Grudge en ontvang Stars! 0 Alle bioscopen ( 0 Geselecteerd) Wis Amsterdam Pathé Arena Pathé De Munt Breda Trailers en Foto's Cast en crew.

The grudge free movie 2020. “The Grudge” is a song about maturity and development, using alchemical, astrological, and mythological symbolism. The planet Saturn has an orbital period of 29. 5 years, so it returns to the astral position it occupied at the time of an individuals birth as that individual approaches age 30; a significant and symbolic life moment for many people. Jungian psychology (which is based mostly on alchemy) similarly defines the transit as a period of transition and maturation into adulthood. This may manifest itself as professional success, establishing a family or the fulfilment of other responsibilities, but it can also be a time of struggle and strife if the individual going through the transit cannot approach the period with the right mindset (letting go of our need to control and hold on to the life we know. “The Grudge” portrays an example of the latter: an individual struggling to move on from past wrongs and unable to transcend (or simply grow up) as a result. By the end of the song the answer is very clear, with the repeated injunction to “let go”. Tool often incorporates lyrical themes into the musical composition itself. In this case the unusual 5/8 time signature divides The Grudge into units of 10 beats (2 bars) per line, echoing the significance of the number 10 in the lyrics. A total absence of tempo changes strengthens the effect, although Danny Carey camouflages what might otherwise be a rigid formula with some ingenious drumming. The downbeats/stresses change between different sections (for example, 3+3+4 during the chorus and 5+5 during the “let go” outro. This alters the ‘pulse and creates contrast between different parts of the song.

 

The Grudge Free movie database. Great job on recapping and explaining this movie. When Zoe and Evan are in the kitchen taking a shot and then go into her room to do more shots, you'll notice a guy in a gray shirt and black jacket (not part of the group) standing at the kitchen table rearranging 5 cups. Hmmmmm! Also, the long haired blonde girl you mentioned standing behind Evan when he's sitting outside lacing up his shoes (good call out) is actually sitting on the couch to the right when Evan walked through the living room and said Morning before he walks towards the door to leave the house to get his shoes. That's why later that morning he asked about the blonde haired girl missing from the group, because he saw her sitting on the couch (in between Sam and Tori passed out on the couch) before going outside. He could not have seen the blonde haired girl if she was standing behind him as he gets up from lacing his shoes to walk towards the shed. Also, after looking throughout the house to find nothing, everyone crashes in the living room, but Max is seen coming out of a room, just walking around looking at everyone in the living room. Max is definitely not one to be quiet or polite, and just walk through the living room not to disturb anyone. Hmmmmm! It's also interesting that in the end when the Hisji transforms its face outside of the window to reflect those in the group, Brian and Hayley weren't shown. Hayley shows up later banging on the door, but we didn't see Brian. Just saying. a little curious about that one. It was also interesting that Zoe held up 4 fingers with 5 of them in the house. She then goes to 1 finger and 4 of them turn around to kill themselves. Not quite sure how that adds up. It may have made more sense for her to hold up 5 fingers and go to 1, signaling 4 to kill themselves or commit suicide with 1 remaining, who would be Evan. I think calling out at the very beginning of the movie that we see Evan's pale, white face and green eyes was great, as this could coincide as to why he randomly picked the story, found the star ring and thus ended up at the end of the movie, to keep it going with Peyton's friends. So, the movie starts with Evan and ends with Evan. Hmmmmm! By the way, I also noticed that she was called Zoe and Zoey throughout the movie. Weird! Cool movie after you watch it a few times and see or notice all of the clues.

To me, this is still the 2nd scariest scene in any Juon -related film, second only to The 2004 Grudge 's staircase crawl. The Grudge Free. The Gru*dge~ Film Online Watch the movie tamil dubbed download. Watch The full movie telugu. Violence & horror A house is cursed by a vengeful ghost that dooms those who enter it with a violent death. Release Date: 30/01/2020 Running Time: 94 mins Director Nicolas Pesce Cast: John Cho, Jacki Weaver, Andrea Riseborough Director Nicolas Pesce Cast: John Cho, Jacki Weaver, Andrea Riseborough Synopsis Add to Watchlist Added to Watchlist.

O no not another hand out the head scene. John wick vs mr bean, Charlie's hinting at something. Did I just get to watch the whole movie in the trailer? Or is Sony trying to pull a Marvel here. The grudge horror movie free download. The grudge 2020 free go movies. Nick Allen January 3, 2020 This year in film starts with a tricky prospect—a brutal arthouse director handling a studio project (good) thats also the second American remake of a half-scary 2002 Japanese movie (not promising. Can you recommend a horror movie based on its impressive meanness? Meet Nicolas Pesce s new and improved take on “ The Grudge, ” which is often as nasty as you want it to be, its cheesy jump-scares and generic packaging be damned.   Based on the original script by Takashi Shimizu (who did the 2004 American remake of his film "Ju-on. Pesces script is still about a Japanese home that is cursed by a murder that happened in extreme rage, and the supernatural entity that travels with anyone who has been in the home (in this version, an American woman brings it stateside before the opening credits. More than worrying about whos-who in a new saga of cursed people, Pesce orchestrates a dense, foreboding atmosphere, where unlucky souls have to manage their own oppressive sadness, along with the shadowy, space-invading entities that pop up in the dark. Advertisement One of the first things you notice about this movie is how bleak it is—characters are introduced with the brutal cards life has dealt them, the kind no one wants to receive. Take Andrea Riseborough s Detective Muldoon, who has recently moved to the new town of Cross River because her husband has just died of cancer. She learns about a house on 44 Reyburn Drive which has connections to other since-buried murder cases in town, like one from 2005 involving a real estate agent named Peter ( John Cho) and his wife Nina ( Betty Gilpin)—we meet them as they get life-shattering news about the baby shes carrying, and they spend the duration of the movie with it lingering between their silences. The gut-punch of their arc then doesnt come from supernatural shenanigans that follow Peter, so much as what happens one night when he leaves the Reyburn home.   For good measure, the film also features a plot-line about a Reyburn resident ( Frankie Faison) who wants to euthanize his loving wife of nearly 50 years (with the help of a “compassionate presence” played by Jacki Weaver) because of her deteriorating mental state. And he wants to do so in the Reyburn home because of his pitiful desperation to harness the propertys tenuous boundaries with life and death. Faison bottles up a lot of pain in a brief monologue, and its one of many moments in which “The Grudge” labors on storytelling parts that are often thankless in less inspired horror fare.   Pesces “The Grudge” gets a lot of mileage out of the unsettling spectacle of suffering, perhaps best encapsulated by a scene that introduces horror legend Lin Shaye. Shes initially only heard as the wailing voice of a woman inside the shadowy Reyburn house, as someone steps inside wanting to see what the fuss is about. Shayes back is turned but her cries are palpable and nightmarish, and thats before she steps forward and into the light, and we get to see her hands. In this well-calibrated scene, Pesce then leads us to another one of his signature freaky images of lifes abandonment—a meticulously gnarly corpse, illuminated by the sudden fuzz of a TV screen. Just as Shimizus original movie told itself in character-based chapters, Pesces story (story credit shared with Jeff Buhler) is like an ensemble movie where familiar faces provide emotional fortification for lean character detail. All of Pesces supporting actors (including Demian Bechir, who looks ready to lead a season of “True Detective”) make clear how vulnerable and helpless these people are, and in turn highlight how cruel it would be for a horrible force to make them suffer even more. Its Riseboroughs show in the end, as she investigates the house's full history, but everyone gets their own harrowing sequence, and theres a gratifying genre thrill in seeing an actor like William Sadler (playing a detective who cursed himself by investigating a murder years ago) tear through a flashback that shows how he was driven mad, which includes some great body horror. The same goes for Jacki Weaver, who is more compelling in a scene of being terrorized at a grocery store than the freaky stuff happening around her.  While juggling these different lives in different timelines, Pesce achieves a seamlessness that creates a backstory more about the entitys kill count than it does individual characters. But he gets a strong pacing, all while telling the same downhill trajectory of how these people unwittingly cursed themselves, and became prey to a force that has little logic other than to appear in the shadows, be angry, and be consistent. In Pesces hands, the supernatural force that attacks these characters isnt like the bad-luck ghost from Shimizus version, but feels as ever-present and ruthless as grief itself.     Pesces “The Grudge” often leads his uniformly strong cast to a jump-scare, and those jolts prove to be its least exciting attribute. Not just because of their generic construction (though Pesce can wind them up like a pro) but the pay-off, of seeing shadowy, wet figures scream with their eyes blacked out, sometimes introduced by the goofy slow croaking sound that “The Grudge” has made canon. Yes, theres ghoulish stuff involving tubs and showers, but they play more like “Grudge” visual cues than standalone anxious sequences. Theres a lot of peekaboos in "The Grudge. too many for what makes the movie good, and by the third act they feel like an awkward part of the transaction in watching a horror film made by a studio that needs a good trailer. Yet while its not very good at being scary, “The Grudge” excels at being unsettling. It proves to be a worthwhile fit for Pesce, whose relentless directorial debut “ The Eyes of My Mother ” is an automatic dare for any horror fan who hasnt seen it; an act of emotional terrorism on its audience as much as its characters. That vision shines through in “The Grudge” more often than not, even if there are moments that are like watching an artisanal chef make cereal. In making a top contender for the feel-bad movie of 2020, Pesce is clearly leading with heart, and an impressive lack of it. Reveal Comments comments powered by.

The grudge free movies. Watch Online Online s1xe1 The Free Download Watch&The&Grudge&Online&Download&Full... Nancy Sorel is an award winning American and Canadian actor and voice artist known for Less Than Kind (2008) Heaven Is for Real (2014) Breakthrough (2019) How It Ends (2018) The Grudge (2020) Once Upon a Christmas Miracle (2018) The Man in the High Castle (2015. Barbie: Fairytopia (2005. Nancy Sorel was born on May 14, in Fall River, Massachusetts, USA. The third child of tool maker, Alphonse J Weglowski and R. N. Diane Sorel Weglowski. She attended B. M. C. Durfee High School of Fall River and then went on to receive a degree in Theatre and Film from the University of Massachusetts-Amherst. While at U Mass Amherst, she booked her first professional acting gig at the University Playwrights festival with guest artist, Bill Pullman. He inspired her to move to New York City pursue acting professionally. After earning her degree and moving to New York City, she began acting Off Broadway at the Ernie Martin and Intar Theaters. During this time she also worked in commercials, print and after a few months in New York, won the the role of Coco, on the ABC daytime drama One Life to Live. Shortly thereafter, Nancy relocated to Los Angeles to star in the NBC daytime series Generations (1989. During that time she also guest-starred in Prime Time shows, Movies of the Week and Pilots including Beverly Hills, 90210 (1990) Doogie Howser, M. D. (1989) Murder, She Wrote (1984) Empty Nest (1988) The X-Files (1993) and The Outer Limits (1995. She then went on to play the role of Sammy, on Fox's sitcom Down the Shore (1992. After shooting numerous projects in Vancouver and spending her early 20's filming back and forth between LA and Vancouver, she eventually called Canada home, where she continued to worked on numerous television projects such as Hope Island (1999) Beggars and Choosers (1999) Seven Days (1998) First Wave (1998) The Twilight Zone (2002) Stargate SG-1 (1997) Tru Calling (2003) The 4400 (2004) and many MOW's. It was in Canada that Nancy met and married her husband, manufacturer and actor, Paul Magel. They have two children. Nancy is most well known for her more recent projects including playing Clara Fine, on the HBO critically acclaimed and multi award winning series, Less Than Kind, for which she won 2 Canadian Comedy Awards ( 2009 & 2010) and an ACTRA Award (2014) and was also nominated for a Canadian Screen Award in 2014, for her role on the series. The following year she was nominated for 2 more ACTRA Awards, for her performances in the Sony feature film (with Greg Kinnear) Heaven is for Real, in which she played Dr. Charlotte Slater, and for her portrayal of Marm McGoldrick, the 1860's New York City mob boss on the series The Pinkertons. Whether she is playing a Hallmark mom (Kathy Krueger, in Once Upon A Christmas Miracle 2018) an FBI Agent ( Agent Cole Grudge 2019) a recently widowed school teacher grappling with her faith ( Mrs Abbott" Fox 2000's Breakthrough 2019) or a 1960's socialite of the Third Reich ( Mary Dawson, Man In The High Castle, season 2 & 3, 2017-2018) Nancy has enjoyed becoming a sought after veteran of both the US and Canadian film & television industries. More.

The poster for the first film in the series. Note: This page is for the American films only. For the Japanese series of films, see Ju-on. The Grudge is an American horror film series consisting of three films, based on the popular Ju-on series. Its first installment was the 2004 American remake of the Japanese film Ju-on: The Grudge, with added elements from Ju-on: The Curse and Ju-on: The Grudge 2. The film was released in North America on October 22, 2004 by Columbia Pictures, and is directed by Takashi Shimizu (director of the original series) while Sam Raimi produced and Stephen Susco scripted. In the same tradition as the original series, the plot of the film is told through a non-linear sequence of events and includes several intersecting subplots. The film has spawned two sequels: The Grudge 2 (which was released on October 13, 2006) and The Grudge 3 (released direct-to-DVD on May 12, 2009, after having the original release date pushed back) this time directed by Toby Wilkins with Shimizu as executive producer. Also, a reboot is planned (with Sam Raimi producing. There is also a collection of short films, entitled Tales of the Grudge, which were used to promote the second film. These shorts are included on the Director's Cut edition of The Grudge 2 DVD. An animated graphic novel short, The Grudge 1. 5, was also created as an Interquel between the first two films, exploring Eason's first contact with the curse. Now has a Character Page, which Needs Wiki Magic Love. Provides Examples Of: Abusive Parents: Mrs. Davis is emotionally abusive towards Aubrey, clearly favouring Karen over her. Also, Kayako's mother "fed" evil spirits to her daughter when she was a child. The former's death at the latter's hands could be seen as Kayako's revenge for what her mother did to her. Alpha Bitch: Vanessa is a pretty, popular girl who also happens to be a smug, spiteful bully towards Allison, and even treats her supposed best friend Miyuki like dirt. Anachronic Order: As in the Japanese originals, the first two films consist of segments shown out of chronological order. The third movie follows a standard linear narrative instead. And I Must Scream: The fate of every single person who is taken by the curse - they become puppets of the curse, never finding peace, and forced to claim more victims. It becomes a lot worse when the curse is unleashed on the planet and becomes The Virus, which causes serious Paranoia Fuel and Unfortunate Implications of Inferred Holocaust since history is doomed to repeat itself and soon all human beings will become an undead vengeful onryo army hunting down and killing everyone on the planet until all humans are six feet under and trapped in a terrifying and horrible Fate Worse than Death. Asshole Victim: Played with, in that most of the curse's victims are generally decent, unassuming people who are in the wrong place at the wrong time. However, some victims, such as Takeo (who has the dubious honour of being the curse's very first victim) and Vanessa, qualify for this trope. Ax-Crazy: Takeo, after discovering his wife's diary. He remains just as violent after death. Bedmate Reveal: Played for horror when Kayako materialises in Susan's bed. Beauty Is Bad: Vanessa is gorgeous but is also a cruel and manipulative bully who unwittingly causes the deaths of dozens of people with her actions. Blood from the Mouth: Kayako after having her neck snapped. The same later applies to Aubrey after her death. Blood Magic: Kayako's sister, Naoko, claims the curse can be lifted via an exorcism ritual that ends with a willing witness consuming Kayako's blood. It doesn't work as she hoped. Blood-Splattered Innocents: Not only does poor Aubrey actually witness Karen's death, but she gets partially splattered with her blood as well. Ouch. Bloodier and Gorier: Many of the deaths in The Grudge 3 are bloodier than the deaths in the previous installments (not counting Yoko from the first film, for obvious reasons. Body Horror: Similar to the original Japanese movie series, a particular type of Body Horror is used for the death of Yoko - her jaw gets torn off. A similar example of Body Horror is seen in the deleted epilogue of the sequel (in which Karen and Aubrey's mother dies in a very similar way to Yoko. The death of Gretchen in the third movie. The poor woman has her jaw torn off and eyes gouged out, with black paint pouring from the wounds. The brief sight of Kayako's fingers emerging from the back of Karen's head in the first movie. At the beginning of the the third film, Jake ends up a twisted, bloody mess after Kayako snaps almost every bone in his body. Break the Cutie: Several characters, but most notably Allison. Break the Haughty: Vanessa starts out as a smug bully, but the curse gradually changes that. Bring My Brown Pants: Vanessa wets herself after being menaced by Kayako in her school changing room (and who can blame her, really. Broken Bird: Peter Kirk's wife, Maria, by the time Karen seeks her out. Losing her husband in an apparent suicide was evidently not kind to her. Karen in the second movie. Brenda, a minor character in the third movie being haunted by the curse, is pretty traumatized from the moment she appears onscreen. Butt-Monkey: Susan in the first film. As the hauntings go, she's treated pretty unfairly. Also, Allison and Jake in the sequels. The Bully: Vanessa. Not even her fellow bully Miyuki is safe from her cruelty. Calling the Old Woman Out: Towards the end of The Grudge 2, Aubrey finally tells her mother how she really feels. Sadly, it's the last time they ever speak. Cassandra Truth: Dr. Sullivan doesn't believe Jake's claims that his family was killed by a curse - until Jake himself dies under unexplainable ( and downright horrible) circumstances. Cat Scare: Considering that Toshio's pet cat is also part of the curse. Chase Scene: Kayako pursuing Karen through the hospital in The Grudge 2; the former also pursuing Dr. Sullivan in The Grudge 3. Chekhov's Gun: Kayako's diary, the Saeki family photo, and the photo of Peter found in Kayako's diary. Chest Burster: Used in the deleted epilogue of the second movie. Kayako ejects herself violently from Mrs. Davis' mouth. Composite Character: Detective Nakagawa shares the name and profession of Detective Nakagawa from the original Ju-on film series, but his personality and actions are closer to that of retired detective Toyama, also from Ju-on. Like Toyama, he lost his colleagues to the curse, and also tries to burn the house down. Yoko seems to be a combination of three Ju-on characters: Yuki and Kanna from Ju-on: The Curse, and Rika from Ju-on: The Grudge. Like Yuki, she is dragged into the house's attic by Kayako; like Kanna, her jaw is torn off; like Rika ( with whom she was originally going to share a name) she is a social worker. Continuity Nod: From The Grudge 2 to its prequel: This is where the girl from the international college killed her boyfriend two years ago. There are also a few nods to the previous films in The Grudge 3. Creepy Child: Toshio is the very definition of this trope. Kayako seen as a child in flashbacks is also somewhat creepy, although pretty adorable at the same time. Cruel and Unusual Death: The death of Mrs. Davis, as seen in a deleted epilogue from the second film, definitely qualifies - after a tearjerking scene in which she mourns Karen and Aubrey, she not-so-coincidentally comes across Kayako's diary... having a much more severe coughing fit than usual, which results in her coughing up Kayako in the form of a giant hairball-come-eyeball, which rips her jaw off. The fact that you can actually see her face start to rip makes it a lot squickier. The death of Gretchen in the third movie could also qualify. Yes, it's an offscreen death, but the state of her corpse when it is discovered by Max is just plain horrific - it seems that she's had her eyes gouged out and her jaw ripped off ( Kayako really likes doing that to people, doesn't she. The death of Jake. Having nearly every bone in your body twisted and snapped has got to suck. Kayako's death, too. Her own husband snaps her neck and leaves her to die (and it is also a possibility that, like in the original films, he slashed her with a utility knife, given the amount of blood on her when her body is discovered. By extension, Aubrey's and Naoko's deaths also apply. Max 's death. Naoko bites his throat out. Considering how the latter died, it can be assumed that this is her prime method of killing. Curiosity Killed the Cast: Anyone curiously entering the house will end up dead thanks to the curse. Until the curse spreads, which means that anyone unlucky enough to unknowingly interact with a cursed location or individual is in for a bad time. Disproportionate Retribution: The curse targeting innocent unrelated people, also turning said victims into puppets of the curse to let history repeat itself. Darkness = Death: Although a lot of the deaths happen in bright daylight, some occur in the attic of the house, and in assorted dark rooms. In addition to that, the curse also seems able to cause electric lights to suddenly stop working. Dead All Along: The ending of The Grudge 2 reveals that Aubrey died mere days after Karen, and was therefore dead during Allison and Jake's storylines. Death by Irony: Vanessa rolls up her school uniform skirt to an extremely high length and encourages Allison to do the same so that she can show off her legs more and become popular. Later, Toshio incapacitates Vanessa by grabbing her highly exposed legs. Death by Sex: Averted in the third movie, and played with in the second movie - Miyuki dies in the love hotel she checks into with her boyfriend. Demonic Possession: How Kayako, Toshio, Takeo, and the cat seem to affect the apartment residents in Chicago. There is a deleted scene from the first movie in which Matthew is possessed by Takeo. This is a recreation of a scene from the first Japanese theatrical movie. In the third movie, Rose becomes possessed by Kayako after consuming her blood. Determinator: Karen and Naoko really do give it their all to try and best the curse. Sadly, their attempts only make things worse. Disconnected by Death: Vanessa in the second movie. Downer Ending: Every movie (with the possible exception of The Grudge 3. It's impossible to survive the curse; it's only a matter of time before it claims your life. Driven to Suicide: Peter, after discovering just what happened in the Saeki house. It is later heavily implied that he was under the curse's influence when he killed himself. Subverted with Takeo. Although it was reported that he hanged himself, the Director's Cut of the first film reveals that his death was Kayako's doing. Eerie Pale-Skinned Brunette: Kayako and Toshio, obviously. Add that to most other dark-haired characters who are seen after becoming curse victims (such as Aubrey, Miyuki and Naoko. Elevator Snare: A supernatural example in the first film. Susan flees Kayako into an elevator and appears to be safe. That is until Toshio is seen on the passing floor, and the next, and the next, and so on and so forth. getting closer with each passing floor. Evil Phone: The sinister phone calls Vanessa receives in The Grudge 2. Susan also receives similar phone calls in the first film. Eye Scream: In the third movie, Kayako kills Gretchen (offscreen) by, amongst other things, gouging out her eyes. Face-Revealing Turn: When Alex encounters Yoko 's ghost, who slowly turns around to reveal her bleeding, jawless face. Facial Horror: Yoko ends up with her lower jaw torn off, as does Gretchen. Fan Disservice / Fanservice: The shower scenes in the first and second movies and the bath scene in the third movie contain a combination of both tropes. Max's Shirtless Scene in the third movie also counts, given that Takeo is possessing him at the time. Femme Fatalons: To an extent. Miyuki has extremely long, blue-painted fingernails, and this carries over into her ghost form. Final Girl: Karen in the first film and Lisa in the third. The second film subverts this with Aubrey being Dead All Along prior to both Allison and Jake's story lines (with the former's still taking place in 2004 while the other two take place in 2006) and with Kayako killing off Allison in the last minute of the film, making Jake the Sole Survivor. Foreign Remake Foreshadowing: In the second movie, when Aubrey pays a visit to Kayako's mother, we see the latter, through her eyes, suddenly witnessing Kayako's spirit taking the place of Aubrey, who comes and kills her. This could possibly be foreshadowing the ending. Also, in the third movie, Gretchen's portrait of Rose is slashed and splattered with red paint, resembling blood, by Kayako. This could be foreshadowing Kayako's eventual possession of Rose. In addition, the eyes of Rose in the painting have been damaged - foreshadowing the fact that Gretchen will soon lose her eyes to Kayako. Early in the first film, Karen finds Kayako's journal and curiously looks through it, coming upon a torn photo of Peter Kirk slotted inside. It seems somewhat unassuming at first, but that same photo is seen later on - revealing that Kayako was in the background of the photo the whole time. Freak Out. Takeo has one of deadly proportions after discovering Kayako's huge crush on Peter. Freeze-Frame Bonus: Two occur during Susan's vignette: When Susan is in the taxi, look at one of the adverts on the back of the front passenger seat. There's a staring eye printed on one of them. Later, when Susan discovers she has a very unwelcome bedmate, look at the wall. For about a second, you can see Susan's shadow and. the shadow of Kayako, even though she isn't above the bedcovers. An in-universe example occurs in the second movie, when Eason is watching an old taped interview with Nakagawa as part of his investigation. On the recording, he notices a very brief, blink-and-you'll-miss-it shape in the corner of the door behind Nakagawa, as well as a strange noise. Cue Eason rewinding the recording and playing it in slow-motion. Another one from the second film: as Karen runs through the hospital she freezes in terror as a group of employees just stare at her. While many viewers write this off as a Big-Lipped Alligator Moment, if you look close and freeze in as the camera moves over their faces you can see the blurry figure of Kayako staring at her in he crowd. Frying Pan of Doom: Unfortunately for the horror film, its use in The Grudge 2 is just hilarious. The fact this is a recreation of a scene from the not-very-well-received Ju-on: The Curse 2 doesn't help. Ghostly Gape: Toshio, whose mouth is deeply black within. Kayako also has a tendency to pull this off, as do many other victims of the curse after their deaths. Ghostly Goals: The second type, though not by choice. Gorn: Generally avoided, although Yoko's death counts. Gory Discretion Shot: Kayako's prime method of killing in the third movie. Green-Eyed Monster: Takeo, whose jealousy over his wife's crush drives him to murder. Gross-Up Close-Up: Present a few times in the Director's Cut. Examples include a more close-up shot on the corpses of Matthew and Jennifer, a close up of Peter's face (as well as the pool of blood) after he kills himself, and a more lingering shot of Yoko's disembodied jaw. Harmful to Minors: Happens in all three films: Toshio witnesses Kayako's murder at the hands of Takeo and possibly witnesses his beloved cat's murder shortly before being killed himself. After dealing with the terror and the knowledge that something is deeply, horribly wrong in the apartment block, Jake discovers his father's corpse and witnesses his possessed stepmother being drowned to death. Rose witnesses her beloved big brother Max becoming steadily more and more vicious as his possession gets worse, and later has Kayako inhabiting her body. Hell Is That Noise: Kayako's death rattle. Also, the sound of a cat's meow has never sounded as creepy as it does in this series. The horrible rasping noise made by Yoko's ghost due to her missing lower jaw. The ghastly moaning of the principal in The Grudge 2. The Grudge 3 brings us the sound of Naoko 's horrible, gurgle-y breathing, post-death. Heroic BSoD: Allison suffers this after being exposed to the curse and subsequently being stalked by the ghosts of Vanessa and Miyuki. Max has one after Takeo stops possessing him. Heroic Sacrifice: Rose drinking the blood during the climax of the third film could be seen as this, although it isn't likely she knew exactly what the consequences would be. However it doesn't seem like it helped much in the long run, and it wasn't in time to save Naoko (and her death starts a new curse. although it did manage to save Lisa. at least for the time being... Hope Spot: A couple of utterly merciless examples occur in The Grudge 3. First, it appears that Naoko's ritual (which already has a slim chance of success as it is) may work - until she is killed by Max, which starts a completely new curse. Second, Rose goes ahead with the ritual, thus saving Lisa from becoming a victim of Kayako's wrath. However, it isn't quite over yet. Yes, the ritual did manage to seal Kayako's spirit away. the catch is, she was sealed inside Rose's body. Not only that, but it is heavily implied that being sealed away will not stop her. Horror Hates a Rulebreaker: A fairly harsh example; the moment anyone enters the haunted apartment, the ghosts begin stalking them relentlessly, killing them and making them new tortured spirits to claim yet more victims. Even leaving can't save you. The franchise eventually takes this to its logical conclusion making the curse become The Virus after it escapes the apartment. Housewife: Kayako (before she was killed and became a really, really angry ghost, that is. I Know You're in There Somewhere" Fight: Naoko desperately tries to use this on Max. It doesn't work. Ill Girl: Rose, who suffers from severe breathing problems and has to rely on an oxygen generator when she over-exerts herself. Impending Doom P. O. V. Used in a deleted/alternate scene from the first movie, which was a shot-for-shot recreation of a scene from the very first Ju-on. Inferred Holocaust: Since the curse now spreads like The Virus, there's the Paranoia Fuel of never knowing whether you are interacting with a normal human being or puppet of the curse and likely falling victim to the curse at the hands of an infected individual or group of people. Who's to say Kayako's vengeful spirit will not become an Apocalypse Maiden and condemn all human beings to a terrifying And I Must Scream Fate Worse than Death? In the Hood: Allison, after the curse breaks her. Incurable Cough of Death: Mrs. Davis has a very nasty cough and breathing problems, although it is never mentioned what sort of illness she is suffering from. However, she doesn't die in the finished movie. The deleted epilogue does show her death ( in which her cough does actually kill her. well, sort of) but it's anyone's guess as to whether this will end up being canonical. Infant Immortality: Averted with Toshio, and Jake. Partially averted when Kayako possesses Rose at the end of The Grudge 3. Intrepid Reporter: Eason. Irony: In the third film, Naoko travels all the way to Chicago from Tokyo in order to stop the curse, only to become part of an entirely new curse herself. Jerk With A Heartof Gold: Not evil per se, but as much of an Alpha Bitch Vanessa was, she seemed genuinely concerned for Miyuki when she found out she was missing and may have shown some remorse deep down for her dangerous and careless actions, which may have implied she was just your typical insecure teenager who wanted people to think she was cool and fit in with everyone else at school. Jawbreaker: Yoko suffers this. In the third movie, Gretchen 's corpse is found sans lower jaw ( and eyes. The deleted epilogue to the second movie has Mrs. Davis suffering this, too - on-screen. Jump Scare: Many and varied. Kick the Dog: Vanessa does much of the kicking, and the dog is usually Allison. Kill 'Em All: With the exception of Lisa and Rose ( and who knows how long that will last) every main character in the trilogy ends up dead. Kill It with Fire: Nakagawa attempts to stop the curse by burning down the house, but is killed by Takeo before he can accomplish this. Karen attempts to finish the job, but it backfires horribly. Kill the Cutie: That is, kill all the cuties. Leitmotif: The main theme, which is heard in all three films during the opening and ending credits, and also pops up during the rest of the musical scores a few times. Then there's also the One-Woman Wail that occurs throughout the second film's score. Loads and Loads of Characters Logo Joke: At the beginning of The Grudge 2, the Columbia Pictures logo starts as usual, but the torch flickers, briefly causing the Torch Lady to turn into Kayako and the word "COLUMBIA" to turn into "GRUDGE 2. Love Hotels: Miyuki and her boyfriend go to one in The Grudge 2. Make It Look Like Suicide: The authorities believe that Takeo killed himself; the Director's Cut of the first film reveals that his death was, in fact, Kayako's doing. Manipulative Bitch: Vanessa is extremely manipulative towards the shy Allison. Marionette Motion: Kayako almost exclusively moves like this, as does Naoko after her death. Market-Based Title: The Japanese releases all have Ju-on in the title, as with the original series of films: The Grudge = The Ju-on The Grudge 2 = Ju-on: Pandemic The Grudge 3 = Ju-on Za Gurajji 3 Matchlight Danger Revelation: Obviously Yoko didn't realise that turning on a lighter in the middle of a dark attic = bad idea. Meaningful Background Event: The elevator scene in the first film. Susan flees into an elevator and rides it to her apartment, but Toshio can be seen on each floor she passes, getting closer and closer. While visiting Karen and Doug's apartment, Kayako manifests behind Aubrey and stares at her. She disappears when Aubrey turns around. Mind Screw: Not quite to the extent of the original film series, but there are still several moments like this. Mind Screwdriver: Kayako's rattling call is explained in the remake as a result of her being strangled to death. Mirror Scare: Several, and played with in the second film, when Kayako emerges from one. Missing Mom: Jake and Lacey's mother. Moment Killer: Near the beginning of The Grudge 3, Lisa and Andy are about to have sex in an abandoned apartment. before discovering it was the same apartment that the Kimble family died in. They very quickly decide to leave. Murder Into Malevolence: As in the original, Kayako Seiki is an innocent woman with No Social Skills, who is killed alongside her child by her jealous husband and returns as an Onryo ghost. She kills her murderer first. then stays in her house and murders absolutely everybody who crosses her path or even telephones her house. My Car Hates Me: Happens in the third movie with Max's boss. My God, What Have I Done. These Hands Have Killed: After becoming possessed by Takeo and subsequently killing Naoko, Max reacts like this after the possession wears off. Mythology Gag: In the Director's Cut of The Grudge, Susan comes across a small cat ornament when first viewing the house, possibly referencing the cat ornaments that seem to stare at Yuki in Ju-on: The Curse. The death of Jake in The Grudge 3 is a slightly more graphic version of the offscreen death of Hisayo from Ju-on: The Curse: the latter's corpse is never shown to the audience, but is mentioned to have been "twisted and torn" similar to how the former ends up a twisted mess after having almost every bone broken. Neck Snap: How Kayako is killed. Also happens to Aubrey in The Grudge 2, and to Dr. Also subverted in The Grudge 3 in that the film makes you think that this is how Naoko is going to die. until she gets stabbed through the back of the throat. Admittedly, this does manage to sever her spinal chord, but it doesn't fit the trope. Neverending Terror: This is one of the scariest parts of the eponymous grudge curse. Once the curse has you, there is no getting away from it. Also, it will come for you anywhere. It doesn't care how locked up you are or how many other people are nearby. Never Found the Body: Several of the curse victims' bodies are never found by the authorities, simply because they get pulled into nowhere. Notable victims include Susan, Miyuki and Allison. New House, New Problems: Woe betide anyone who moves into/enters the cursed house. Later, the curse isn't just limited to the house, spreading to those who have nothing to do with the house whatsoever. From the second movie onwards, woe betide anyone who enters/moves into/already lives in that Chicago apartment block. Nice Job Breaking It, Hero. Karen setting fire to the house, thereby breaking the seal containing the curse within. Similarly, Naoko's ritual to contain her sister's spirit. She's killed by Max, thus starting a new grudge curse, and Rose now houses Kayako's spirit after drinking Kayako's blood. In the second movie, Allison catches a flight back to the US, hoping that the curse won't follow her. It does. She ends up spreading the curse to the apartment block, resulting in the death of her family, Jake's family, and anyone else who enters the building, thus setting up the events of The Grudge 3. Nightmare Face: Yoko and Gretchen, of the Facial Horror variety. Many of the ghosts themselves, given their pale-white complexions, ghostly gaping, and wide, staring eyes. Nightmare Sequence: In a Deleted Scene from The Grudge 2, Aubrey has a dream about having an actual loving relationship with her mother, which slowly deteriorates into a nightmare when Mrs. Davis coughs up a gland and forces Aubrey to ingest it, much like when Kayako's mother would force her to swallow evil spirits when she was a child. No Name Given: Toshio's cat is never named. According to Fanon, his name is Mar, which happens to be the name of his counterpart in the Japanese film series. Nothing Is Scarier: Used, but also averted. The first movie is relentless in showing you the ghosts. Offscreen Teleportation: Kayako and Toshio utilise this, as do other curse victims after their deaths. Justified, since they're ghosts. Oh, Crap. Aubrey gets a look of horrified realisation on her face when she encounters Takeo. Eason's face when Kayako emerges from one of his photographs. Kayako's face when she discovers that Takeo read her diary. Once More, with Clarity. Second movie: Following Aubrey sharing the same fate as Kayako, the earlier scene with Allison being menaced in the cupboard by Kayako plays out again, only this time the woman emerging from the attic is not Kayako, but Aubrey. One-Woman Wail: A recurring theme throughout the second movie's score. Our Ghosts Are Different Pater Familicide: Takeo murders his wife, son, and son's cat upon finding out about Kayako's crush on Peter. Kayako, as a ghost, repays this heinous act by strangling him to death with her hair. Then, in The Grudge 3 he claims another familial victim as a ghost - his sister-in-law. Parent with New Paramour: The situation with Jake's father and his new wife Trish is a Type 2 example. It averts the Wicked Stepmother trope - Trish is a genuinely nice person and tries her best to get on with Jake, who feels uncomfortable with the fact that his father is with someone else. Jake's sister Lacey deals with the situation a lot better than he does. Parental Favoritism: Mrs. Davies greatly favours Karen over Aubrey, and is pretty unpleasant towards the latter. Peekaboo Corpse: Kayako's body falling from the attic in the first movie. Precision F-Strike: In the third movie. Prehensile Hair: In the director's cut of the first film, Kayako uses her hair to hang Takeo. In the second film, she completely envelopes Vanessa's body with it, presumably suffocating her. Proud Beauty: Vanessa wears her school uniform provocatively to flaunt her beauty. Lacey shows off her good looks in her skimpy cheerleader outfit to Sally. Psychological Horror Recut: The Director's Cut, widely considered to be a lot better than the theatrical release due to the new scenes genuinely adding to the atmosphere and feel of the movie, including more explicit violence (most obviously the flashback showing the Saeki murders, although there are others) and deepening the characters' personalities. In addition to the extra scenes present, Susan's vignette is also switched around. Room Full of Crazy: After the curse drives her crazy, Allison becomes a recluse, rarely leaving her bedroom, the windows of which she covers with newspaper. Also, when Peter discovers Kayako's corpse, the room features a pile of cut-up family photographs, with Kayako's face removed from all of them, and subsequently pinned to the door of the cupboard leading to the attic. Sealed Inside a Person-Shaped Can: By the end of the third movie, Kayako is sealed inside Rose. Shapeshifting Excludes Clothing: Allison's death in The Grudge 2. Subverted when Kayako then occupies the left-behind clothing to menace Jake. She's Got Legs: Vanessa rolls up her school uniform skirt extremely high to show off her gorgeous legs and encourages Allison to do the same to be popular. Shirtless Scene: Max has one in the third movie. Shame he happens to be possessed and crazy at the time. Shoot the Shaggy Dog: Every film, but particularly The Grudge 3. All of Naoko's efforts end up achieving absolutely nothing (save for imprisoning Kayako's spirit inside Rose, which isn't exactly a good thing) thanks to Takeo's intervention. Shout-Out: In the first movie, the scene where Susan runs from her workplace and hails a taxi to get home is an homage to Suspiria (1977. Later, there is an homage to The Evil Dead (1981) when Kayako's diary flips open seemingly by itself. The scene in the darkroom in the second movie may be a homage to a visually-similar scene in Shutter. Also, earlier in the same movie, the scene where Kayako appears in the reflection of Eason's TV screen after he switches it off may be a reference to an almost identical scene from Ring. Shower of Angst: Karen takes one in the first movie. It is suddenly cut short, however. Sibling Yin-Yang: Karen and Aubrey; Kayako and Naoko to an extent. Sickening "Crunch. Heard when Kayako has her neck snapped, when her body tumbles out of the attic, and also occasionally when she moves around. In the second movie, it's also heard when Aubrey has her neck snapped, and in the third movie when Naoko has her knee broken. Single Tear: Karen lets out one when she sees Kayako for the first time, as does Aubrey, when she realises that she's stumbled into the exact same timeframe as the Saeki murders and has taken Kayako's place. Spooky Painting: Used in the third movie when Kayako's face suddenly appears in one of Gretchen's paintings, and again a short while later, when she emerges out of a different painting. Spooky Photographs: Eason is killed when Kayako emerges from a photograph he is in the process of developing. Later, after Aubrey discovers the corpse of Eason and is subsequently menaced by Kayako, almost all of the photos in the darkroom change to show Kayako's face staring out of all of them. Stalker with a Crush: Kayako towards Peter. Stringy-Haired Ghost Girl: Kayako is one of the most famous examples in cinema. Aubrey ends up as one by the end of the second movie, as well (mimicking the ending of the first Japanese theatrical release, in which Rika suffers the same fate. Naoko after she is killed by a curse-possessed Max in The Grudge 3. Kayako's victims: Yoko, Miyuki, and Vanessa, become onryo as well. Sudden Sequel Death Syndrome: Karen survives the first movie, but is killed off part way through the second. Ditto for Jake in the third movie. Considering how both films ended, its honestly a surprise that they lived that long. Tears of Fear: Karen when she first encounters Kayako, and Aubrey when she suddenly realises just what the curse has in store for her near the climax of the second film. The Beautiful Elite: Vanessa and Miyuki are the most popular and beautiful schoolgirls at the International School. The Virus: Anyone who falls victim to the curse and returns from the dead as thralls for the curse. Time Skip: In The Grudge 2, Aubrey's storyline takes place in 2004, and Allison and Jake's storylines take place in 2006. Time Travel: To an extent. The nature of the curse can cause the past, present and future to merge temporarily. Title Drop: Not to the remakes themselves, but to the original Japanese films: in The Grudge 3, Naoko describes the curse to Lisa as a "ju-on. Toilet Horror: In The Grudge 2, after the murderous ghost invades the family's apartment, the boy hides in the bathroom and found his mother in the bathtub who seemed suspicious tells him to enjoy a nice warm bath. She then gets dragged into the water disappearing by the ghost. Too Dumb to Live: Yes, Aubrey, go into that house even when Eason told you not to. To be fair, while Aubrey approached the house, she didn't willingly enter. She was suddenly dragged in. Sure, take your friends to a haunted house with police tape around the door and walk right in, what's the worst that can happen? Twist Ending: At the end of the second film, it is revealed that Aubrey is destined to suffer the same fate as Kayako, and the spectre witnessed emerging from the attic by Allison is revealed to be Aubrey, and not Kayako, as originally thought. However, the fact that several parts of the movies are deliberately left open to interpretation may throw certain aspects of the ending into question. Twisted Ankle: In the second movie, Aubrey breaks her ankle while fleeing from Takeo, which results in her having to crawl down the stairs to try (and fail) to escape. This implies that the same thing (or at least something very similar) happened to Kayako. A similar occurance happens in the third movie, when Max breaks Naoko's knee. Undercrank: Used on Kayako at the climax of the first film (as well as a few other occasions) to creepy effect. Unwitting Instigator of Doom: Although it was already a heinous act on its own, when Takeo brutally murdered his family he probably wasn't expecting a horribly deadly curse would result from it. Alex sending Karen to care for Emma Williams in place of the missing Yoko starts the chain of events that leads to Karen eventually attempting to burn the Saeki house down, which results in the curse being able to break free of the house and spread. Vanessa tricking Allison into entering the Saeki house eventually results in Allison fleeing back to Chicago, which then results in her entire apartment building becoming infected with the curse. Vader Breath: After being killed by Max and subsequently becoming a ghost, the noises that Naoko makes consist of raspy, gurgling breathing, thanks to being stabbed through the back of the throat. Vomit Indiscretion Shot: The milk scene. Wham Line: It followed me here. Wham Shot: During the ending of The Grudge 2, Aubrey follows what appears to be Karen into one of the upstairs rooms in the Saeki house. only to see Takeo, in the process of reading Kayako's journal, and we realise that Aubrey is now in the exact same timeframe as the Saeki murders, and that Aubrey is screwed. Towards the end of The Grudge 3, Max hears a sinister thumping noise, getting closer and closer. He looks down the hallway, only to see Naoko, now a vengeful spirit herself, coming for him, and we realise that there is now a new curse to contend with. The final shot of The Grudge 3, which reveals that Kayako's spirit is now inhabiting Rose's body. What the Hell, Hero. Jake to Allison when he confronts her about the mysterious deaths in his apartment building, including his whole family; Allison is promptly killed by Kayako right in front of him. With Friends Like These. Poor Allison is manipulated, mocked and cruelly pranked by both Vanessa and Miyuki, who use her naivety to their advantage. Also, Vanessa even seems to treat Miyuki in a cruel manner, in spite of their supposed friendship. Woman in White: Kayako. Woobie, Destroyer of Worlds: Kayako, Toshio, and, as of The Grudge 3, Naoko. Yank the Dog's Chain: Naoko's ritual. It doesn't work the way it was planned. You Killed My Sister: Aubrey is grief-stricken over Karen's death, and she practically namechecks this trope when she returns to the house for the final time (while she's still alive, anyway.

Absolutely stupid been there done that. More proof liberal Hollyweird doesn't have an original thought in its collective head. What they share 2 braincells amongst the whole lot of them. Seriously how can you fooking run from a ghost that teleports. The On the website full movie 123movies... This trailer made me laugh a lot, I suppose that's not a good sign. The Grudge Remake Rotten Tomatoes Score Might Be Scarier Than the Movie Itself Jan 4, 2020 Upcoming horror remake, The Grudge, has been butchered by critics, but is it really as bad as they're saying? Can The Grudge Scare Star Wars 9 Away from the Box Office This Weekend? Ryan Scott Jan 2, 2020 Sony Pictures' The Grudge reboot is the only new wide released at the box office this weekend. 7 New Movies in Theaters You Can't Miss in January Evan Jacobs Dec 26, 2019 There are several new movies coming in the first month of 2020 making it a can't miss month at the theater. The Grudge Red-Band Trailer Promises a Blood-Soaked, R-Rated Reboot Ryan Scott Dec 10, 2019 Sony Pictures has released a new red-band trailer for The Grudge reboot from director Nicolas Pesce. The Grudge Reboot Trailer Arrives, Sam Raimi Resurrects a Horror Classic Jeremy Dick Oct 28, 2019 Ahead of its release in theaters worldwide in January, the first trailer for the 2020 version of The Grudge has arrived. The Grudge Reboot Trailer Coming Monday, New Poster Recreates the Iconic Shower Scene Ryan Scott Oct 23, 2019 Sony Pictures has released a brand new poster for The Grudge reboot ahead of the official trailer release. Terminator: Dark Fate & The Grudge Reboot Are Both Rated-R, Here's Why Jeremy Dick Oct 16, 2019 Terminator: Dark Fate and the reboot of The Grudge have both officially been rated R by the MPAA. The Grudge Reboot Poster Gets Creepy in the Bathtub with an Iconic Ghost Ryan Scott Oct 7, 2019 Sony pulled the curtain back on The Grudge remake at NYCC 2019 over the weekend with a new poster and plenty of new information. The Grudge Reboot First Look Unleashes New Ghosts, Surprising Timeline Revealed Kevin Burwick Sep 20, 2019 Nicolas Pesce's remake of the 2004 horror movie The Grudge has released some new images, which means a trailer is more than likely on the way. Stefanie Sherk, Canadian Model & Grudge Actress, Dies at 43 After Apparent Suicide Jeremy Dick Apr 26, 2019 Sherk's death has been ruled a suicide after she was found in a swimming pool by husband Demián Bichir. Creepy First Look at The Grudge Reboot Will Have You Shivering in Fear Kevin Burwick Nov 3, 2018 Sony's The Grudge reboot doesn't hit theaters until next summer, but they're getting a head start on promotion. The Grudge Reboot Gets New Early Release Date Kevin Burwick Oct 24, 2018 The long-awaited reboot of The Grudge has been chosen to battle at the box office sooner than expected. The Grudge Reboot Scares Up Summer 2019 Release Date Ryan Scott Apr 6, 2018 Sony has finally announced when horror fans will get to see the long-awaited Grudgeremake. The Grudge Reboot Gets Insidious Icon Lin Shaye Ryan Scott Mar 22, 2018 Insidious franchise star Lin Shaye has joined the cast of the upcoming Grudge reboot. Grudge Reboot Gets Alien: Covenant Star Demian Bichir Mar 15, 2018 Demian Bichir and Andrea Riseborough team-up for Sony Pictures' The Grudge reboot. The Grudge Reboot Gets Eyes of My Mother Director Jul 6, 2017 Nicolas Pesce has signed on to direct The Grudge reboot for producer Sam Raimi.

I hate when they reboot everything... creativity is dead in Hollywood. Free movies the grudge. Full free movie the grudge. The Grudge Free movie reviews. The grudge 1 full free movie. The Grudge Theatrical release poster Directed by Takashi Shimizu Produced by Sam Raimi Robert Tapert Takashige Ichise Screenplay by Stephen Susco Based on Ju-on: The Grudge by Takashi Shimizu Starring Sarah Michelle Gellar Jason Behr KaDee Strickland Clea DuVall Bill Pullman Music by Christopher Young Cinematography Hideo Yamamoto Edited by Jeff Betancourt Production company Ghost House Pictures [1] 2] Distributed by Columbia Pictures Release date October 22, 2004 (United States) Running time 91 minutes 98 minutes (Director's Cut) Country United States Japan Language English Japanese Budget 10 million [3] Box office 187. 2 million [3] The Grudge is a 2004 American supernatural horror film directed by Takashi Shimizu, written by Stephen Susco, and produced by Sam Raimi, Robert Tapert, and Takashige Ichise. A remake of Shimizu's 2002 Japanese horror film Ju-On: The Grudge, it stars Sarah Michelle Gellar, Jason Behr, KaDee Strickland, Clea DuVall, and Bill Pullman. Supporting roles are done by William Mapother, Yoko Maki, Ryo Ishibashi, Ted Raimi, Grace Zabriskie and Rosa Blasi. It is the first installment in The Grudge film series which is based on the Japanese Ju-On films. Takako Fuji, Yuya Ozeki, and Takashi Matsuyama portray the characters Kayako Saeki, Toshio Saeki, and Takeo Saeki from the original films. The plot is told through a nonlinear sequence of events, and includes several intersecting subplots. After the success of American remake of The Ring, Sony Pictures had green-lit an American remake of Ju-On: The Grudge, the remake rights of which had been bought by Sam Raimi, who was a fan of the franchise. Shimizu, the writer and director of the original film, was hired to direct the film, from a screenplay written by Susco. Principal photography on the film began on January 26, 2004 and wrapped in July 2004 in Tokyo, Japan. The Grudge was released in North America on October 22, 2004, by Columbia Pictures. The film grossed 187 million against a 10 million budget. On its opening weekend alone, the film grossed 39 million, becoming the first horror film since House on Haunted Hill (1999) to top the Halloween box office and, until the film was dethroned by the Friday the 13th (2009) remake, had the highest grossing opening weekend in history for a horror remake. [3] The film was followed by two sequels, the theatrically released The Grudge 2 (2006) and the straight-to-video The Grudge 3 (2009. A sidequel, also entitled The Grudge, taking place concurrently with the events of this film and its two sequels, was released in 2020. Plot [ edit] The Grudge describes a curse that is born when someone dies in the grip of extreme rage or sorrow. The curse is an entity created where the person died. Those who encounter this supernatural force die, and the curse is reborn repeatedly, passing from victim to victim in an endless, growing chain of horror. The following events are explained in their actual order; however, the film is presented in a nonlinear narrative. Kayako Saeki, a housewife living in suburban Tokyo, is in love with college professor Peter Kirk, obsessively writing about him in a diary. Her husband Takeo becomes jealous as he discovers the diary and believes that Kayako is having an affair with another man. Takeo brutally murders her, their young son Toshio, and the pet cat Mar in violent rage. After Takeo hides the bodies in the house, Toshio's ghost hangs him. After receiving a letter from Kayako, Peter visits the Saeki house only to find both her and Takeo's corpses along with Toshio's ghost. Shocked, he flees the scene and kills himself the next day. The remainder of the Saeki family rise again as ghosts due to the curse, notably Kayako, who appears as an onryō ghost. A few years later, the Williams family from America move into the Saeki house. While Matt is thrilled with the house, his wife Jennifer and dementia -ridden mother Emma feel uncomfortable. Matt and Jennifer are quickly consumed by the curse. Yoko, a care worker, arrives at the house to find Emma alone before she encounters Kayako, who drags her up into the attic. Concerned about Yoko's disappearance, her employer Alex sends another care worker, Karen Davis, to take over the care of Emma. At the house, Karen discovers Toshio sealed up in a wardrobe and later on witnesses Kayako's spirit descending from the ceilings to claim Emma. Alex arrives at the house shortly after and finds Emma dead and Karen in a state of shock. Alex calls the police, with the presence of Detective Nakagawa. In the attic, Nakagawa and his partner Igarashi find Matt and Jennifer's bodies, along with a human's lower jaw. Meanwhile, Matt's sister, Susan, is pursued by Kayako around her office building. At home, Kayako attacks her and she vanishes. While leaving work, Alex is killed by Yoko's jawless corpse. Kayako begins haunting Karen, who informs her boyfriend Doug of the situation. Karen researches the house, eventually confronting Nakagawa, who explains that three of his colleagues investigating the Saeki deaths were all consumed by the curse. That night, Nakagawa carries gasoline into the house in an attempt to burn it down, but is killed by Takeo. After learning that Doug has ventured to the Saeki house to look for her, Karen races there. She finds Doug paralyzed and attempts to flee with him. Kayako crawls down the stairs and latches onto Doug, who dies of shock. As Kayako closes in, Karen sees the gasoline and ignites it. Karen survives and in the hospital, she learns that the house also survived the fire. Visiting Doug's body, Karen realizes that she is still haunted by Kayako. Cast [ edit] Sarah Michelle Gellar as Karen Davis, an exchange student Jason Behr as Doug McCarthy, Karen's boyfriend, who attends the University of Tokyo KaDee Strickland as Susan Williams, Matt's younger sister William Mapother as Matt Williams, who relocates to Tokyo for a promotion Clea DuVall as Jennifer Williams, Matt's wife Grace Zabriskie as Emma Williams, Matt and Susan's mother, who has severe lethargy with mild dementia. Bill Pullman as Peter Kirk, a teacher working in Tokyo Rosa Blasi as Maria Kirk, Peter's wife Ted Raimi as Alex Jones, the director of the care centre where Yoko and Karen are stationed Ryo Ishibashi as Det. Nakagawa, a detective Yōko Maki as Yoko, a Japanese care worker assigned to care for Emma Williams Takako Fuji as Kayako Saeki, a married woman who is attracted to Peter Kirk Yuya Ozeki as Toshio Saeki, Kayako and Takeo Saeki's 10-year-old son. Takashi Matsuyama as Takeo Saeki, Kayako's husband Production [ edit] In early 2000, the unexpected success of the American remake of The Ring is what led to Sony Pictures finally having the confidence to green-light an American remake of Ju-On: The Grudge. That same day, Takashi Shimizu, the director and creator of the original film, was hired to direct the film, with Stephen Susco writing the screenplay, and Sam Raimi through its Ghost House Pictures banner producing the project, alongside Robert Tapert and Takashige Ichise. Shimizu was eager to work on a remake of his own film, as he saw it as an opportunity to improve and fix some of the perceived problems and flaws that were present in the original film. During the test screenings, two slightly different versions of the film were used at the same time. One was R-rated, while the other was rated PG-13. The PG-13 cut, which had toned down some of the disturbing images, allegedly tested better with screeners. The R-rated version was released on home video as the Unrated Director's Cut. Principal photography on the film began on January 26, 2004. Reshoots on July 2004 in Tokyo, Japan. Before filming, the cast and crew went through a ceremony, where they were blessed so that nothing bad could happen to them during filming. Release [ edit] The Grudge was theatrically released in the United States on October 22, 2004, by Columbia Pictures, to coincide with Halloween. Box office [ edit] The Grudge opened at 3, 348 theaters in North America. [4] The film generated 39. 1 million in ticket sales in its first weekend (October 22–24, 2004. Ticket sales declined 43% on the second weekend, earning 21. 8 million, thereby becoming the first horror film to top the Halloween box office since House on Haunted Hill. [5] The film made US110. 4 million in North America alone and a total of 187. 3 million worldwide, far exceeding the expectations of box-office analysts and Sony Pictures executives. Sony also stated production costs of less than 10 million, making it one of the most profitable movies of the year. [6] The film is recognized as the second-highest grossing horror remake of the past 40 years behind The Ring, but in front of horror films such as A Nightmare on Elm Street, Friday the 13th, and One Missed Call, the former two had successful series, and were expected to be far more successful, whereas the latter is also an Asian horror remake and did far less in terms of box office. [7] It is also second in Japanese remakes, but seventh in the highest openings for an October and fall release, being beaten by family movies. [7] Critical reception [ edit] The review aggregator website Rotten Tomatoes reports that 39% of 160 reviews surveyed critics have given the film a positive review; the average rating is 5. 11/10. The site's critics consensus reads, There's some creepy imagery to be found, but not much in the way of logic or truly jarring scares. 8] On Metacritic, which uses a weighted average of critics' reviews, the film has a score of 49 out of 100 based on 32 reviews, indicating "mixed or average reviews. 9] Roger Ebert gave a mostly negative review, awarding the film 1 star out of 4. In his review he writes: The Grudge" has a great opening scene, I'll grant you that. Bill Pullman wakes up next to his wife, greets the day from the balcony of their bedroom, and then. well, I, for one, was gob-smacked. I'm not sure how this scene fits into the rest of the movie, but then I'm not sure how most of the scenes fit into the movie. I do, however, understand the underlying premise: There is a haunted house, and everybody who enters it will have unspeakable things happen to them. His biggest issue was the film bored him more than scaring him, saying: I eventually lost all patience. The movie may have some subterranean level on which the story strands connect and make sense, but it eluded me. The fragmented time structure is a nuisance, not a style. The house is not particularly creepy from an architectural point of view, and if it didn't have a crawl space under the eaves, the ghosts would have to jump out from behind sofas. 10] Classic FM 's film critic Simon Bates deemed it the scariest film he had ever seen. citation needed] Home media [ edit] The Grudge was released on VHS, DVD, and UMD on February 1, 2005, as a standard version of the film with only a few special features. [11] On May 17, 2005, the unrated director's cut of The Grudge was released on DVD in North America. The release restored approximately 7 minutes of footage, extending the runtime to 98 minutes as opposed to the 91 minute theatrical cut. The extra content included several scenes that were cut to achieve a lower rating from the MPAA, as well as others which were removed for pacing and plot reasons. This version of the film was used as the theatrical run in Japan. The release also contained new deleted scenes and commentaries, director Takashi Shimizu's original Ju-On short films, 4444444444" and "In a Corner" and more. [12] The film was released on Blu-ray Disc in Germany in 2008 [ citation needed] and in the US on May 12, 2009, the same day that The Grudge 3 was released on DVD. It was made available to purchase on iTunes in 2008. The film was also a huge success on home video, and made 9. 24 million from DVD sales in its first week alone, debuting at number two in the sales chart behind Ray. It has made an estimated 20 million since. [13] References [ edit] Foundas, Scott (October 21, 2004. The Grudge. Variety. Retrieved June 16, 2019. ^ The Grudge (2004. American Film Institute. Retrieved June 16, 2019. ^ a b c "The Grudge (2004. Box Office Mojo. IMDb. Retrieved January 23, 2020. ^ Box Office Mojo (October 20, 2006. Grudge opens on 3, 348 theatres. Retrieved 2006-10-20. ^ Box Office Mojo (October 20, 2006. Grudge tops box office. The Grudge was expected to generate 20 Million. Retrieved 2006-10-20. ^ a b "Horror Remake Movies at the Box Office - Box Office Mojo... ^ The Grudge (2004. Rotten Tomatoes. Fandango. Retrieved 2019-11-02. ^ The Grudge (2004) Reviews. Metacritic. CBS Interactive. Retrieved 2019-11-02. ^ Ebert, Roger (October 21, 2004. The Grudge (2004. Chicago Sun-Times. ^ Amazon (October 20, 2006. Standard Version release. Amazon. Retrieved 2006-10-20. ^ Amazon (October 20, 2006. Uncut Version release. Retrieved 2006-10-20. ^ Ray and The Grudge top the DVD charts. 9 February 2005. External links [ edit] The Grudge on IMDb The Grudge at AllMovie The Grudge at Rotten Tomatoes The Grudge at Box Office Mojo Director Takashi Shimizu Q&A.

English [ edit] Etymology [ edit] A variant of grutch (mid 15th-century, younger than begrudge) from Middle English grucchen ( “ to murmur, complain, feel envy, begrudge ”) from Old French grouchier, groucier ( “ to murmur, grumble ”) 1] of Germanic origin, akin to Middle High German grogezen ( “ to howl, wail ”) German grocken ( “ to croak ”. Compare also Old Norse krytja ( “ to murmur ”) Old High German grunzen ( “ to grunt ”. Pronunciation [ edit] IPA ( key. ɡɹʌdʒ/ Rhymes: ʌdʒ Noun [ edit] grudge ( plural grudges) countable) Deep-seated and/or long-term animosity or ill will about something or someone, especially due to a past bad deed or mistreatment. to hold a grudge against someone to have a grudge against someone to bear a grudge against someone 1607, Barnabe Barnes, THE DIVILS CHARTER: A TRAGÆDIE Conteining the Life and Death of Pope Alexander the ſixt, ACTVS. 5, SCÆ. 1: Bag. And if I do not my good Lord damme me for it I haue an old grudge at him cole black curre, He ſhall haue two ſteele bullets ſtrongly chargd 1879, Henry James, The American, Rinehart, page 288: I have never mentioned it to a human creature; I have kept my grudge to myself. I daresay I have been wicked, but my grudge has grown old with me. 2001, H. Rider Haggard, All Adventure: Child of Storm/a Tale of Three Lions, Essential Library (xLibris) page 274: It is towards Saduko that he bears a grudge, for you know, my father, one should never pull a drowning man out of the stream — which is what Saduko did, for had it not been for his treachery, Cetewayo would have sunk beneath the water of Death — especially if it is only to spite a woman who hates him. Derived terms [ edit] hold a grudge have a grudge bear a grudge [ edit] rancor spite grudge match resentment Translations [ edit] deep seated animosity Albanian: mëllë   (sq)   m Arabic: بُغْض ‎ ( buḡḍ) ضَغِينَة ‎ ( ḍaḡīna) Bashkir: ү ә ( üpkä) Bulgarian:   (bg. nedovolstvo)   (bg)   f ( neprijazǎn) Catalan: rancor   m Chinese: Mandarin: 怨恨   (zh. yuànhèn) Czech: zášť   (cs) nevraživost, averze   (cs) Danish: nag, uvilje Dutch: rancune   (nl) wrok   (nl) Finnish: kauna   (fi) närä French: rancune   (fr) Galician: xenreira   f, rancor   (gl)   f German: Groll   (de)   m, Neid   (de)   m Greek: μνησικακία   (el)   f ( mnisikakía) άχτι   (el)   n ( áchti) μανιάτικο   (el)   n ( maniátiko) Ancient: κότος   m ( kótos) Hiligaynon: kadúmut, kahíkaw Hindi: डाह   (hi)   f ( ḍāh) Irish: olc   m, fala   m Italian: rancore   (it)   m, risentimento   (it)   m, astio   (it)   m Japanese: 怨   (ja. en) Malay: dendam Maori: ahikauri, ngaukino Norwegian: Bokmål: nag   (no) Old English: æfþanc   m Polish: uraza   (pl)   f Portuguese: rancor   (pt)   m Quechua: chiqniy Romanian: pică   (ro)   f, pizmă   (ro)   f, ranchiună   (ro)   f Russian: ́   (ru)   f ( neprijáznʹ) Serbo-Croatian: kivnost   (sh)   f, resentiman, kivnja   (sh)   f Spanish: rencor   (es)   m Swedish: agg   (sv)   n Tagalog: hinanakit Telugu: పగ   (te. paga) paga) Turkish: kin   (tr) hınç   (tr) Welsh: cenfigen   f, gwenwyn   (cy)   m Yiddish: פֿאַריבל ‎ ( faribl) faribl, faribel) Verb [ edit] grudge ( third-person singular simple present grudges, present participle grudging, simple past and past participle grudged) To be unwilling to give or allow (someone something. from 16th c. ] 1608, Henrie Gosson, The Woefull and Lamentable wast and spoile done by a suddaine Fire in S. Edmonds-bury in Suffolke, on Munday the tenth of Aprill. 1608., reprinted by F. Pawsey, Old Butter Market, Ipswich, 1845, page 6: Wee shall finde our whole life so necessarily ioyned with sorrow, that we ought rather delight (and take pleasure) in Gods louing chastisements, and admonitions, then any way murmure and grudge at our crosses, or tribulations: 1841, Edmund Burke, The Annual Register, Rivingtons, page 430: If we of the central land were to grudge you what is beneficial, and not to compassionate your wants, then wherewithal could you foreigners manage to exist? 1869, Thomas Wentworth Higginson, Army Life in a Black Regiment, Fields, Osgood. Co., p. 62 [1] Of course, his interest in the war and in the regiment was unbounded; he did not take to drill with especial readiness, but he was insatiable of it, and grudged every moment of relaxation. 1922 February, James Joyce, “. Episode 12: The Cyclops] ”, in Ulysses, Paris: Shakespeare & Co. Sylvia Beach, OCLC 560090630; republished London: Published for the Egoist Press, London by John Rodker, Paris, October 1922, OCLC 2297483: Our two inimitable drolls did a roaring trade with their broadsheets among lovers of the comedy element and nobody who has a corner in his heart for real Irish fun without vulgarity will grudge them their hardearned pennies. 1953, Saul Bellow, The Adventures of Augie March, Viking Press, 1953, chapter 3: I've never seen such people for borrowing and lending; there was dough changing hands in all directions, and nobody grudged anyone. ( obsolete) To grumble, complain; to be dissatisfied. [15th-18th c. ] 1526, William Tyndale, trans. Bible, Luke XV: And the pharises, and scribes grudged sainge: He receaveth to his company synners. ( obsolete) To hold or harbour with malicious disposition or purpose; to cherish enviously. 1591, William Shakespeare, “ The First Part of Henry the Sixt ”, in Mr. William Shakespeares Comedies, Histories. Tragedies: Published According to the True Originall Copies ( First Folio) London: Printed by Isaac Iaggard, and Ed[ward] Blount, published 1623, OCLC 606515358, Act III, scene i] Perish they / That grudge one thought against your majesty! obsolete) To feel compunction or grief. (Can we find and add a quotation of Bishop Fisher to this entry? begrudge grudgement grudgery grudgingly misgrudge References [ edit] Anagrams [ edit] Dugger, Gudger, gurged, rugged.

The grudge free movie online. The grudge movie 2020 free. 1:56 I think they messed up a bit with those sound effects :D. The grudge full free movie. Swing on a spiral reminds me of those natives that use the bungee chords to bungee jump. The grudge free movie. Ju on the grudge free movie. STREAM Blueray. Respectifs les empechent. The grudge free movie stream. The Grudge is the 2004 American remake of the Japanese film Ju-on: The Grudge and the first installment in the American horror film series The Grudge. The film was released in North America on October 22, 2004 by Columbia Pictures, directed by Takashi Shimizu (director of the original series) and written by Stephen Susco. In the same tradition as the original Ju-on series, the plot of the film is told through a non-linear sequence of events and includes several intersecting subplots. The Grudge tells the story of an American social worker crossing paths with a mysterious curse lying in a house she is hired to work for. The film has spawned two sequels: The Grudge 2 (which was released on October 13, 2006) and The Grudge 3 (released on May 12, 2009. Synopsis Edit The Grudge describes a curse that is born when someone dies in the grip of a powerful rage or extreme sorrow. The curse gathers in the place where that person died. Those who encounter this murderous supernatural force die and the curse is reborn, passed from victim to victim in an endless, growing chain of horror. The following events are explained in their actual order (which differs from the order shown on film. Intro Edit The film opens on a man, Peter Kirk - An American Professor in Japan's capital, Tokyo. One morning, he is standing on his high rise balcony, with a troubled look on his face. His wife, Maria, looks at him from inside their apartment and asks him what's wrong. Without any word or hesitation, he flings himself over the balcony, committing suicide, as a shocked Maria looks on. The Williams family Edit Matthew Williams, his wife Jennifer, and his ailing mother Emma, move into the Seaki house. Jennifer is unhappy with her life in Japan: she is unable to speak the language, and has gotten lost once on a walk. Matthew assures her things will improve and that if they don't, the family will return to the United States. Jennifer falls asleep on a couch in the living room. The sound of her bowl hitting the floor awakens her and she discovers the bowl on the floor, the contents strewn everywhere. She scolds Emma for making the mess, but sees a trail of wet child's footprints leading out to the hall. She sees a cat on the landing of the stairs and sees a pair of white arms gently pick it up. She continues upstairs and enters her bedroom (Toshio's former bedroom. The door closes behind her. Matthew returns from work and finds the house in complete disarray with trash strew everywhere. He calls out to his wife who doesn't answer. He finally finds her on the bed, unable to move or speak and struggling to breath. Before he can call an ambulance he is startled by the sudden appearance of a young boy making a cat sound named Toshio. He backs up against the closet as Toshio appears suddenly over his head. Later, Susan, Matthew's sister, is preparing to leave the office. After attempting to call, Susan increasingly becomes concerned from not being able to reach Matthew. She starts to leave her office building but she is stopped by the sound of moaning coming from the hallway. She quickly exits to the stairs but is frightened when the lights start to flicker and shatter. Susan looks over the railing to see Kayako's ghost crawling up the stairs. Susan flees to the closest hallway but Kayako grabs her cell phone charm and pulls it off. Susan goes to the security office, seeking help. There the security guard promises to check it out. Susan watches the monitor as the security guard investigates. However, he finds nothing and leaves. Then the lights flicker and Kayako's ghost rises up out of the shadows in the hallway and walks toward the security camera. Susan runs. Susan is pursued. Susan takes a taxi cab back to her apartment. She enters an elevator, and it ascends several floors. Susan does not notice, however, that Toshio is standing outside each set of elevator doors she passes, getting progressively closer with each passing floor. Susan makes it safely inside when her phone rings. It is Matthew claiming to have forgotten her apartment number and asking to be buzzed inside. She tells him where to find her and activates the buzzer with the phone. The doorbell rings immediately after she hangs up. Thinking Matthew could not possibly have had time to arrive, she checks the peephole of the door. Shocked to find it is Matthew, Susan believes he is pranking her. She angrily throws open the door, but no one is there. The death rattle emanates loudly through the phone in Susan's hand. She drops and breaks the phone, yet the rattle can still be heard. Cowering in the bed, Susan reaches beneath the covers and pulls out the rabbit's foot phone charm from her phone and drops it in fear. A lump billows from underneath the covers and moves toward Susan. She lifts the sheets, seeing Kayako's face. She is abruptly pulled under and both disappear. Edit Karen about to get a surprise. Yoko is a girl whose work is to take care of Emma and clean the house. While picking up trash on the floor and stairs, she hears someone walking around up in the attic. Following the noise, Yoko enters a closet in the bedroom and sees a small door in the ceiling, which leads to the attic. Using a lighter, Yoko sticks her head up through the door and slowly turns around, looking for the source of the sound. She eventually comes face to face with Kayako, who attacks her and pulls her up into the attic. Karen Davis is then called in to work at the house (in Setagaya) and care for Emma after Yoko disappears. While working, Karen finds a closet that has been taped shut with cat-like noises coming from it. When she rips off the tape and opens the door, she finds a little boy. The boy refuses to come downstairs so she asks him for his name. "Toshio" he says, in a monotone, eerie voice. Emma begins stirring and muttering in the other room. As Karen calms her, a dark shadow of hair emerges from a corner of the room, terrifying Emma. Karen looks up to see Kayako reaching for Emma. Kayako's hair, which was covering her face, flies back to reveal the whites of her eyes. The irises roll into place and focus on Karen as she backs away in fright. Alex, Karen's boss, finally arrives to find Emma unconscious and Karen in a state of shock. Karen is taken to the hospital while detectives question Alex. Detective Nakagawa asks Alex about the people that lived there, and tell him that Yoko has been missing from work. The detectives notice that the phone handset is missing from the cradle and push the page button. They trace the sounds to the attic where they discover the corpses of Matthew and his wife. They also make a grisly discover of a human jaw and wonder to whom it belongs and where the rest of the body might be. Later, Yoko is spotted again by Alex as she is shuffling down the stairs of the caretaking facility where Alex, Karen, and Yoko work. As he is walking towards her, he accidentally slips on a liquid, which he discovers is blood when he touches it. Alex calls to Yoko, who does not answer in any way until he reaches the bottom of the stairs. She then turns around to reveal her face. As Alex screams in horror and dies, her face is shown to now be horribly disfigured, missing her lower jaw and with her tongue hanging out, while the screen fades to black. Karen tells her story to detectives, emphasizing the appearance of a boy. Over the next few days, she is constantly tormented by Kayako. Frightened but determined, she starts researching the history of the house on the Internet. Eventually, she learns of the murders from the website of a Japanese newspaper. On the same page, she also comes across the news of the death of the American professor, Dr. Peter Kirk. She now decides to learn the entire history from Dr. Kirk's widow, Maria Kirk. Detective Nakagawa becomes convinced that the rash of deaths and missing people is connected to the house when he views the entire security video taken at Susan's office building. He watches as Kayako proceeds down the hall, then comes face to face with the camera as the video fuzzes out. He then returns to the Saeki house with two cans of gasoline. He is distracted by the sound of Toshio drowning in the bath tub. He enters and finds a boy hanging out of the tub, and tries to revive him. His eyes snap open, and Takeo appears behind him. Nakagawa only has time to turn around before Takeo shoves him into the bathtub and drowns him like Toshio. Karen questions Maria Kirk, Peter's widow, who does not appear to know anything about the house, its occupants, or why her husband committed suicide. She allows Karen to search through old photos. Karen discovers a living Kayako in the background of every photograph, clearly following the couple. Karen then attempts to go talk with her boyfriend, Doug, at their apartment. However, she discovers he has gone looking for her at the house after seeing her research. Karen then returns to the house in search of Doug. Karen has a vision of Peter reading the diary, and uncovers the truth. Inside the house, Karen experiences a flashback of Peter's visit. It is revealed that Kayako had fallen in love with him. Kayako's husband, Takeo, discovered her obsession and in a fit of rage, murdered her and their son, Toshio. This is the strain, the 'grudge' of the house. Karen's flashback shows Peter discovering their bodies at the house. Overwhelmed by the brutality of Takeo's murder of Kayako, Karen staggers downstairs and the house returns to the present time. Doug grabs her ankle before she leaves. He is incapacitated, and she tries to drag him to the door. A door opens upstairs. Kayako crawls down the stairs toward them, and gives Doug the kiss of death. Karen opens the door, but Kayako's ghost is suddenly there. She slams the door and kicks over one of the gas cans. She takes Doug's lighter and tosses it onto the gas as Doug suddenly becomes Kayako. The screen goes white. (In the director's cut, there are shots of Karen being put into an ambulance van. At the hospital, Karen learns that the house was saved from burning and mourns Doug's dead body. Suddenly, Kayako's hair and arm comes beneath the sheet that covers him, but Karen realizes that it's just her imagination (when the hand turns normal. Kayako then appears behind Karen. As Kayako utters her death-rattle, the movie ends with an eyeshot of her. Cast Edit Sarah Michelle Gellar as Karen Davis Jason Behr as Doug William Mapother as Matthew Williams Clea DuVall as Jennifer Williams KaDee Strickland as Susan Williams Grace Zabrieski as Emma Williams Bill Pullman as Peter Kirk Rosa Blasi as Maria Kirk Ted Raimi as Alex Ryo Ishibashi as Det. Nakagawa Hiroshi Matsunaga as Igarashi Yoko Maki as Yoko Hajime Okayama as Suzuki Takako Fuji as Kayako Saeki Yuya Ozeki as Toshio Saeki Takashi Matsuyama as Takeo Saeki Reception Edit The film opened in 3, 348 theaters in North America. The film generated 39. 1 million in ticket sales in its first weekend (October 22–24, 2004. The film later declined 43% on its second weekend by earning 21. 8 million, becoming the first horror film to top the Halloween box office since House on Haunted Hill. The film made US 110, 359, 362 in North America alone and a total of 187, 281, 115 worldwide, far exceeding the expectations of box office analysts and Sony Pictures executives. Sony also stated the film cost less than 10 million to produce, thereby making it one of the most profitable films of the year. The film received mixed reviews, earning a "Rotten" rating of 39% on Rotten Tomatoes (with 59 out of 151 film reviews counted fresh. Classic FM's film critic Simon Bates deemed it the scariest film he had ever seen. The Grudge held the record of the highest grossing for a supernatural movie, which was broken by Paranormal Activity 2 in 2010. [1] Notes and trivia Edit Takashi Shimizu directing Sarah Michelle Gellar and Jason Behr in The Grudge. Selma Blair was first considered for the role of Karen. Fungo Dining, the restaurant Doug works at, is a real Tokyo restaurant. [2] While filming the infamous shower scene, Sarah Michelle Gellar discovered she was allergic to Japanese water, as it caused her skin to itch. "Japanese men and it was very sexy because I had an allergic reaction to the water and so they dressed me in garbage bags from the waist down. [I was in] a little tube top and black hefty garbage bags. 3] Karen and Doug, on their way to the Japanese graveyard, pass by three schoolgirls in the street. This is a reference to Izumi and her friends Chiharu and Miyuki from  Ju-on: The Grudge. Yuya Ozeki's third and last time portraying Toshio. In real life, he is terrified of cats. According to the DVD commentary by the cast and crew, the first of appearance of the cat right when Karen picks up Kayako's journal was not in fact the real cat, but a fake cat held by a crew member, raising it in front of the camera. On the DVD commentary Sarah Michelle Gellar remembers that Jason Behr had previously guest-starred on her show Buffy the Vampire Slayer but not Clea Duvall who also appeared in the episode "Out of Sight, Out of Mind" as a girl who turns invisible. This is because Gellar never had any scenes with Duvall's character whilst she was visible so the actresses never actually met. Gellar arrived in Tokyo at the same time Buffy premiered on Japan. [4] The Saeki house was built completely on a sound stage. It was based almost entirely on the original Ju-on home. It was built like a normal house, the 'house set' had two floors so that cuts did not have to be made when a character was walking upstairs. However, the attic was built separately from the house to allow for more room when filming. The closet room where Takeo hides Kayako's corpse is changed from the hall's front room (above the lobby) to the hall's end. The front room becomes Toshio's bedroom where Takeo hangs himself. A window to the lobby is also absent. A significant change is made in relation to the Saeki murders. In  The Grudge, Takeo actually kills both his wife, his son and the boy's cat in a flashback scene prominent throughout the trilogy. In the Ju-on films however, Shimizu-san makes it more subtle and the murders are never actually seen. Takeo murders Kayako by breaking her neck, which causes her trademark death rattle. In the original series, however, he stabbed her to death mostly on the throat, with this being what causes her ghost to rattle. Takeo did not murder Toshio in Ju-on. He presumably wanted him to stay alive and Kobayashi to take care of him. It is implied that Toshio was taken by Kayako herself, which is what happens in the Ju-on novel, after he hid in the attic and was sealed there by Takeo. A deleted scene shows Matthew being possessed by Takeo and recreating his acts, taking Jennifer 's body to the attic and kicking Susan off his house. Shimizu-san cut the scene feeling that it took the focus off Kayako. [5] Another deleted scene features Karen having a last vision from the Saeki family alive and joyful (which suggests Karen did actually end the curse. Toshio turns to her before his smiling mother calls him in. [6] An alternative scene features Yoko  being haunted by a dark crawling shadow  that becomes Mar. The cat forces a scared Yoko to enter the closet, from where she climbs to the attic and meets the ghost of Kayako. [7] Entitled The Juon in Japan. The Unrated Extended Director's Cut version of the film was used as the theatrical run in Japan. Sequels Edit The sequel, The Grudge 2, was announced three days after the film opened, and was released in 2006. The sequel stars Amber Tamblyn as Karen's younger sister Aubrey who is sent to Japan by her mother to bring Karen home. The Grudge 3 was announced by Sony at Comic-Con 2008. [8] Takashi Shimizu had stated in 2006 he was initially offered to direct the third installment but preferred to work only as a producer. [9] On October 23, 2007, it was confirmed that the film would instead be directed by Toby Wilkins, who directed the short films Tales from the Grudge as a promotional material for The Grudge 2 in 2006. Takashi Shimizu and Taka Ichise produced the third film, written by Brad Keene. Home release Edit The film was released on DVD and UMD on February 1, 2005. A standard version of the contains a few special features. On May 17, 2005, the MPAA-unrated director's cut of The Grudge was released onto DVD in North America. The release included several scenes that were cut to achieve a lower rating from the MPAA, as well as others which were removed for pacing and plot reasons. The release also contained new deleted scenes and commentaries and the Katasumi and 4444444444 short films, in which Kayako and Toshio 's ghosts are introduced. It was made available to purchase on iTunes in 2008. The Grudge was released on Blu-ray Disc in Germany in 2008. It was released on Blu-TRay disc in the U. S. on May 12, 2009, the same day as The Grudge 3 DVD. Gallery Edit Japanese poster. Korean poster. Unrated Director's Cut DVD Edition Blu-Ray special edition. Blu-Ray French special edition with the complete trilogy. Takako Fuji and Eiji Ôki during shooting. Sarah Michelle Gellar at the film premiere. Sarah Michelle Gellar and Jason Behr at the premiere. Gellar and Clea DuVall at the US premiere. Gellar at The Juon premiere in Japan. Gellar and Takashi Shimizu at the press release in Tokyo. [10] 11] KaDee Strickland and Bill Pullman at the premiere. References Edit.

The grudge free go movies. The Grudge is a 2004 supernatural horror film directed by Takashi Shimizu, written by Stephen Susco, and produced by Sam Raimi, Robert Tapert, and Takashige Ichise. A remake of Shimizu's 2002 Japanese horror film Ju-On: The Grudge, it stars Sarah Michelle Gellar, Jason Behr, KaDee Strickland, Clea DuVall, and Bill Pullman, and is the first installment in The Grudge  film series which is based on the Japanese Ju-On  films. Takako Fuji, Yuya Ozeki, and Takashi Matsuyama portray the characters Kayako Saeki, Toshio Saeki, and Takeo Saeki from the original films. The plot is told through a nonlinear sequence of events, and includes several intersecting subplots. After the success of American remake of The Ring, Sony Pictures had green-lit an American remake of Ju-On: The Grudge. Shimizu, the writer and director of the original film, was hired to direct the film, from a screenplay written by Susco. Principal photography on the film began on January 26, 2004 and wrapped in July 2004 in Tokyo, Japan. The Grudge was released in North America on October 22, 2004, by Columbia Pictures. The film grossed 187 million against a 10 million budget. On its opening weekend alone, the film grossed 39 million, becoming the first horror film since House on Haunted Hill (1999) to top the Halloween box office and, until the Friday the 13th remake in 2009, had the highest grossing opening weekend in history for a horror remake. [3] The film was followed by two sequels, the theatrically released The Grudge 2 (2006) and the straight-to-video The Grudge 3 (2009. A sidequel, also entitled The Grudge, taking place concurrently with the events of this film and its two sequels, was released in 2020. Plot The Grudge describes a curse that is born when someone dies in the grip of extreme rage or sorrow. The curse is an entity created where the person died. Those who encounter this supernatural force die, and the curse is reborn repeatedly, passing from victim to victim in an endless, growing chain of horror. The following events are explained in their actual order; however, the film is presented in a nonlinear narrative. Kayako Saeki, a housewife living in suburban Tokyo, is in love with college professor Peter Kirk, obsessively writing about him in a diary. Her husband Takeo becomes jealous as he discovers the diary and believes that Kayako is having an affair with another man. Takeo brutally murders her, their young son Toshio, and the pet cat Mar in violent rage. After Takeo hides the bodies in the house, Toshio's ghost hangs him. After receiving a letter from Kayako, Peter visits the Saeki house only to find both her and Takeo's corpses along with Toshio's ghost. Shocked, he flees the scene and kills himself the next day. The remainder of the Saeki family rise again as ghosts due to the curse, notably Kayako, who appears as an onryō ghost. A few years later, the Williams family from America move into the Saeki house. While Matt is thrilled with the house, his wife Jennifer and dementia -ridden mother Emma feel uncomfortable. Matt and Jennifer are quickly consumed by the curse. Yoko, a care worker, arrives at the house to find Emma alone before she encounters Kayako, who drags her up into the attic. Concerned about Yoko's disappearance, her employer Alex sends another care worker, Karen Davis, to take over the care of Emma. At the house, Karen discovers Toshio sealed up in a wardrobe and later on witnesses Kayako's spirit descending from the ceilings to claim Emma. Alex arrives at the house shortly after and finds Emma dead and Karen in a state of shock. Alex calls the police, with the presence of Detective Nakagawa. In the attic, Nakagawa and his partner Igarashi find Matt and Jennifer's bodies, along with a human's lower jaw. Meanwhile, Matt's sister, Susan, is pursued by Kayako around her office building. At home, Kayako attacks her and she vanishes. While leaving work, Alex is killed by Yoko's jawless corpse. Kayako begins haunting Karen, who informs her boyfriend Doug of the situation. Karen researches the house, eventually confronting Nakagawa, who explains that three of his colleagues investigating the Saeki deaths were all consumed by the curse. That night, Nakagawa carries gasoline into the house in an attempt to burn it down, but is killed by Takeo. After learning that Doug has ventured to the Saeki house to look for her, Karen races there. She finds Doug paralyzed and attempts to flee with him. Kayako crawls down the stairs and latches onto Doug, who dies of shock. As Kayako closes in, Karen sees the gasoline and ignites it. Karen survives and in the hospital, she learns that the house also survived the fire. Visiting Doug's body, Karen realizes that she is still haunted by Kayako. Cast Sarah Michelle Gellar as Karen Davis, an exchange student Jason Behr as Doug McCarthy, Karen's boyfriend, who attends the University of Tokyo KaDee Strickland as Susan Williams, Matt's younger sister William Mapother as Matt Williams, who relocates to Tokyo for a promotion Clea DuVall as Jennifer Williams, Matt's wife Grace Zabriskie as Emma Williams, Matt and Susan's mother, who has severe lethargy with mild dementia. Bill Pullman as Peter Kirk, a teacher working in Tokyo Rosa Blasi as Maria Kirk, Peter's wife Ted Raimi as Alex Jones, the director of the care centre where Yoko and Karen are stationed Ryo Ishibashi as Det. Nakagawa, a detective Yōko Maki as Yoko, a Japanese care worker assigned to care for Emma Williams Takako Fuji as Kayako Saeki, a married woman who is attracted to Peter Kirk Yuya Ozeki as Toshio Saeki, Kayako and Takeo Saeki's 10-year-old son. Takashi Matsuyama as Takeo Saeki, Kayako's husband Production In early 2000, the unexpected success of the American remake of The Ring is what led to Sony Pictures finally having the confidence to green-light an American remake of Ju-On: The Grudge. That same day, Takashi Shimizu, the director and creator of the original film, was hired to direct the film, with Stephen Susco writing the screenplay, and Sam Raimi through its Ghost House Pictures banner producing the project, alongside Robert Tapert and Takashige Ichise. Shimizu was eager to work on a remake of his own film, as he saw it as an opportunity to improve and fix some of the perceived problems and flaws that were present in the original film. Principal photography on the film began on January 26, 2004. Reshoots on July 2004 in Tokyo, Japan. Before filming, the cast and crew went through a ceremony, where they were blessed so that nothing bad could happen to them during filming. Release The Grudge was theatrically released in the United States on October 22, 2004, by Columbia Pictures, to coincide with Halloween. Box office The Grudge opened at 3, 348 theaters in North America. [4] The film generated 39. 1 million in ticket sales in its first weekend (October 22–24, 2004. Ticket sales declined 43% on the second weekend, earning 21. 8 million, thereby becoming the first horror film to top the Halloween box office since House on Haunted Hill. [5] The film made US110. 4 million in North America alone and a total of 187. 3 million worldwide, far exceeding the expectations of box-office analysts and Sony Pictures executives. Sony also stated production costs of less than 10 million, making it one of the most profitable movies of the year. [6] The film is recognized as the second-highest grossing horror remake of the past 40 years behind The Ring, but in front of horror films such as A Nightmare on Elm Street, Friday the 13th, and One Missed Call, the former two had successful series, and were expected to be far more successful, whereas the latter is also an Asian horror remake and did far less in terms of box office. [7] It is also second in Japanese remakes, but seventh in the highest openings for an October and fall release, being beaten by family movies. [7] Critical reception The review aggregator website Rotten Tomatoes rates the film 39% based on reviews by 160 critics, with an average rating of 5. 11/10. The site's critics consensus reads, There's some creepy imagery to be found, but not much in the way of logic or truly jarring scares. 8] On Metacritic, the film has a weighted average of 49 out of 100 based on 32 reviews, indicating "mixed or average reviews. 9] Roger Ebert gave a mostly negative review, awarding the film 1 star out of 4, writing "I'm not sure how most of the scenes fit into the movie. I do, however, understand the underlying premise: There is a haunted house, and everybody who enters it will have unspeakable things happen to them. He criticized the fragmented time structure and said he "eventually lost all patience. 10] Home media The Grudge was released on VHS, DVD, and UMD on February 1, 2005, as a standard version of the film with only a few special features. [11] On May 17, 2005, the unrated director's cut of The Grudge was released on DVD in North America. The release included several scenes that were cut to achieve a lower rating from the MPAA. citation needed] This version of the film was used as the theatrical run in Japan. The release also contained new deleted scenes and commentaries, director Takashi Shimizu's original Ju-On short films, 4444444444" and "In a Corner" and more. [12] The film was released on Blu-ray Disc in Germany in 2008 [ citation needed] and in the US on May 12, 2009, the same day that The Grudge 3 was released on DVD. It was made available to purchase on iTunes in 2008. The film made 9. 24 million from DVD sales in its first week, debuting at number two in the sales chart behind Ray. It has made an estimated 20 million since. [13] References ^ Foundas, Scott (October 21, 2004. The Grudge. Variety. Retrieved June 16, 2019. ^ The Grudge (2004. American Film Institute. Retrieved June 16, 2019. ^ a b c "The Grudge (2004. Box Office Mojo. IMDb. Retrieved January 23, 2020. ^ Box Office Mojo (October 20, 2006. Grudge opens on 3, 348 theatres. Box Office Mojo. Retrieved 2006-10-20. ^ Box Office Mojo (October 20, 2006. Grudge tops box office. The Grudge was expected to generate 20 Million. Retrieved 2006-10-20. ^ a b "Horror Remake Movies at the Box Office - Box Office Mojo... ^ The Grudge (2004. Rotten Tomatoes. Fandango. Retrieved 2019-11-02. ^ The Grudge (2004) Reviews. Metacritic. CBS Interactive. Retrieved 2019-11-02. ^ Ebert, Roger (October 21, 2004. The Grudge (2004. Chicago Sun-Times. ^ Amazon (October 20, 2006. Standard Version release. Amazon. Retrieved 2006-10-20. ^ Amazon (October 20, 2006. Uncut Version release. Retrieved 2006-10-20. ^ Ray and The Grudge top the DVD charts. 9 February 2005. External links The Grudge on IMDb The Grudge at AllMovie The Grudge at Rotten Tomatoes The Grudge at Box Office Mojo Director Takashi Shimizu Q&A This page was last edited on 4 February 2020, at 22:35.

The Grudge Free movie page imdb. The Original is still the scariest i watched that everytime when i was a child 😨when i was in elementary and still today Highschool 😨😱 The Old is still better😍 but i like this movie aswell its good 😁. The grudge 3 free movie. Tbh i don't know why it's kinda dissapointing i mean it's not as scary as the old grudge lol.

I saw this movie late at night so i thought it was scary until the end. Its a whole lot of buildup for not a huge payoff but i actually didnt hate it. The grudge 3 tamil dubbed movie free download. Just as good as the Japanese films (but with an ending rant against remakes of foreign films) 9/10 Karen (Sarah Michelle Gellar) an exchange student in Japan who is just beginning to do some social work, is sent to aid an elderly semi-catatonic woman, Emma (Grace Zabriskie) after her previous caretaker, Yoko (Yoko Maki) disappears. Karen soon learns that something is not right in Emma's home, and she attempts to "see how deep the rabbit hole goes. Maybe it's a delayed influence from the success of M. Night Shyamalan's films, but slower-paced, understated horror films are a recent trend. In some cases, such as Hide and Seek (2005) the approach works remarkably well, and in others, such as White Noise (2005) the pacing tends to kill the film. I didn't like The Grudge quite as much as Hide and Seek, but this is still a very good film- it earns a 9 out of 10 from me. The Grudge has a couple significant differences from other recent examples of that trend, however. One, it is well known that this is a remake based on the Japanese film series that began with Ju-On (2000) in particular, it's extremely close to the first half of Ju-On: The Grudge, aka Ju-On 3, from 2003. Two, as with many Japanese horror films, the slower pacing here isn't so much in the realm of realist drama as with surrealism. As is also the case with a large percentage of European horror, The Grudge should be looked at more as a filmed nightmare. Director Takashi Shimizu, also the director of the five Japanese entries in the Ju-On series to date (the fifth is currently in production) and writer Stephen Susco have largely dispensed with linearity and are not overly concerned with logic or plot holes when it comes to the horror behind the story. The idea instead is to present a dreamlike sequence of scenes, with dream logic, where the focus is atmosphere, creepiness, the uncanny, and for many viewers- scares. How well the film works for you will largely depend on how well you can adapt yourself to, or are used to, this different approach to film-making (although admittedly, some of the seeming gaps are filled in by previous entries in the Ju-On series. Traditionally, American audiences consider as flaws leaving plot threads hanging and abandoning "rules" for the "monster. A more poetic, metaphorical, surreal approach to film isn't yet accepted by the mainstream in the U. S. However, even if you're not used to it, it's worth trying to suspend your normal preconceptions about films and give The Grudge a shot. This is a well written, well directed, well acted film, filled with unusual properties, such as the story interweaving a large number of "main characters" which is done better here than the more episodic Ju-On 3) good cinematography, subtle production design touches (check out Gellar's clothes, which match the color and texture of the exterior of Emma's house, when Gellar first approaches) and beautifully effective horror material. Even though it is more slowly paced that your average horror film of the past, the pacing usually enhances the eeriness, and there is no shortage of bizarre events to keep horror fans entertained. The supernatural premise of the film is absorbing, and based on interviews on the DVD with Shimizu, have prodded me to pay more attention to Japanese beliefs and folklore. Although the most interesting subtexts would probably arise with a more intimate knowledge of Japanese culture, it's interesting to ponder why so many Japanese horror films feature scary children and adults who look like scary children. I subtracted one point for the film slightly veering into cliched mystery/thriller territory with a "here's what really happened" flashback, but even that was fairly well done, and otherwise, this would have been a 10 out of 10. Now that I've said all of the above, let me finish with a mini-rant: It's not that I'm anti-remake, but it is ridiculous that U. S. distributors and studios feel that we need remakes of foreign films to make them appropriate for consumption. The original versions of these films should just be playing in U. theaters in wide release. There is no need to present an almost identical film but just substituting white American actors for non-white or foreign actors. Yes, The Grudge is a fine film, but ultimately, I'd rather see something original using this talent, and be treated to the latest foreign horror films- not just Japanese, but also Indian, Spanish, Chinese, etc. at my multiplex. In the hope that someone with some pull at the studios reads this, it is also more cost-effective to do this, as (1) you can completely avoid production costs, and simply make domestic distribution deals from which you receive profit, and (2) you can make money off of fans like myself who otherwise pick up the foreign film DVDs in foreign manufactured or even bootleg versions.

The thriller was good but the eyes of jack were closed when he deads. 1:55 did anyone else think he was about to say Mr. Beast then when he said bean you think to your self and think if hes talking about killer bean but he was actually talking about Mr. Bean just me... The grudge 2020 free movie. The grudge 2020 full movie free download camrip. The grudge movie 2020 online free. I want a scary movie that will mess me up when I go to sleep. No sleep, nightmare, blanket over my face and 7 pillows around me.

Me: You know, I wouldn't mind seeing another take on The Grudge. Although, the USA version was meh, followed up by sequels that we truly didn't need, I think the original was outstan- Sam Raimi: Here's another one. The Grudge free movie downloads. I don't mind this if it is done correctly. Where is Toshio and the cat noise. The Grudge Free movie page. The grudge full movie free download. Fun fact! Abbadon is from the book of revelations, in Hebrew abbadon is the angel of death. I am ferociously jealous of the people hearing this song for the first time.